Karel Teige a typografie: asymetricka harmonie (2009)

28/06/09 – Monograph for Czech artist and designer, Karel Teige (1900-1951): Karel Teige a typografie: Asymetricka harmonie (2009) by Karel Srp, Polana Bregantova and Lenka Bydzovska. Text in Czech. (more…)

Ubu’s almanac: Alfred Jarry and the graphic arts

22/12/08 – Ubu’s Almanac: Alfred Jarry and the Graphic Arts exhibition catalog and essays from the Spencer Museum of Art, University of Kansas. Select bibliography of works in English//

Futurist typography and the liberated text

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13/04/08 – Excerpts from Alan Bartram’s Futurist Typography and the Liberated Text published 2005 by Yale University Press:

Introduction

“The Italian Futurist poet-typographers were literary people, as were the very different Russian artists; and, just as for the 1960s protest designers, content came first and created form. Aesthetics merely refined the design.” (7)

“An ability to use a computer makes no one a typographer, and provides no substitute for the fiery imagination adn visual sensibility possessed by Marinetti. His ‘new array of type’ transformed the very grammar and syntax of the sentence, created a unique poetry, a new mode of communication.” (8)

“[...]at least one noteable precendent, the original 1897 version of Stephane Mallarme’s Un Coup de des. And, about the same time Marinetti’s work was published, Apollinaire was experimenting with his calligrammes.” (ibid.) (more…)

Oliver Tomas

  • Design historian and archivist based in Vancouver, Canada.
  • info[at]olivertomas[dot]com