27/11/09 – A selection of diagrams and information graphics from Bauhaus publications by Gropius, Itten, Kandinsky , Klee, Moholy-Nagy, Schlemmer, et al.

Sources and related information
More images//

Design and paper was a series of softcover booklets produced by New York paper wholesaler Marquardt and Co. between 1937 and 1952(?). Its production ran quarterly for 39 issues and was printed at a very high standard. The series showcased the finest papers for printers, art directors and others in the printing trade. After number 7, issues were primarily devoted to individual artists and designers. Ladislav Sutnar featured in numbers 13 and 19.

In issue 13, Sutnar gives a brief and illustrative lesson in information design techniques, namely visual flow. Sutnar’s style is evident in the bold use of colour, dynamic spreads and organizational signposts.

Issue 13 colophon:
Cover: Albion Text – Wove – 26×40 – 306M – Melon
Text: Cumberland Dull Coated – 25×38 – 200M – Snow White
Plates by Sterling Engraving Company

Numbers 13 and 19 were accurately reproduced in 2003 from the collections of the Museum of Decorative Arts in Prague// by Fraktály Publishers.

Design and paper: controlled visual flow

Importance of upper right corner

Starts and stops

Visual dominance

Coordination of parts

Integration

Sources and more information
Design and paper 13 & 19 on Flickr//

16/07/09 – Selections from Design and paper number 19: shape, line and colour by Ladislav Sutnar, Marquardt and Co., New York (1945).

Design and paper was a series of softcover booklets produced by New York paper wholesaler Marquardt and Co. between 1937 and 1952(?). Its production ran quarterly for 39 issues and was printed at a very high standard. The series showcased the finest papers for printers, art directors and others in the printing trade. After number 7, issues were primarily devoted to individual artists and designers. Ladislav Sutnar featured in numbers 13 and 19.

In issue 19, Sutnar gives a brief and illustrative lesson in the use of shape, line and colour for organizing and presenting information. Sutnar’s characteristic style is evident in the bold use of colour, dynamic spreads and organizational signposts.

Issue 19 colophon:
Cover: Crysteel Bristol – High Plate – 22.5 x 28.5 – 200M
Text: Dullbrite White – Substance 25 × 38–70
Plates by Royal-Jones Photo Engraving Corp.

Numbers 13 and 19 were accurately reproduced in 2003 from the collections of the Museum of Decorative Arts in Prague// by Fraktály Publishers.

Design and paper: shape, line and colour

Shape for coordination

Shape for identification

Line for indication

Colour for articulation

Colour for stimulation

Sources and more information
Ladislav Sutnar Design and Paper collection on Flickr//

24/02/09 – Industrial British Columbia 1946: Canada’s magnificent new industrial empire, geared to efficient high quality production, backed by an adequate pool of skilled labor promotional catalogue. Designed and lithographed by The Sun Publishing Company Limited, Vancouver, B. C. Copyright May 15, 1947. Spiral bound 14″ x 10″ with 46 pages. 

From the Forward:

Well known as a vast storehouse of mineral and forest wealth, the Province of British Columbia is not so well known as a fast-growing industrial centre.

Few British Columbians –certainly very few Eastern Canadians, United States business men or British Empire industrialists– realize the extent of the accomplishments and the facilities that are now available here for manufacturing of all kinds.

This survey has been prepared to place on record the information that it is felt should be known. It is in two parts: First, an illustrated news section graphically telling the story of leading manufacturing developments; second, a concise factual compilation of statistics giving complete authoritative basic data. With the co-operation of leading business men this survey is being distributed throughout the world.

The publishers hope that this essential data will thus be widely disseminated and that material progress will be made in furthering British Columbia’s industrial development and prosperity.

More images//
On the Canadian Design Resource (CDR)//

10/10/07 – “While Richard Saul Wurman is credited with the term ‘information architect,’ Sutnar was one of the Modern pioneers. Sutnar contributed a no-nonsense structure to how graphical information could be presented…” -Steven Heller

Czech designer, Ladislav Sutnar (1897-1976), is considered a pioneer of communication design and information architecture. His vast and varied output ranges from graphic works including all manner of book covers, pamphlets, and corporate letterhead to orientation systems in large department stores; from tea sets to oil paintings; from children’s toys and books to visual flow diagrams based on research into optics and psychology.

He worked as an academic and graphic designer in Czechoslovakia until 1938 when he traveled to the United States to work on the Czecho-Slovak Pavilion for the 1939 World’s Fair in New York City. While working there, war broke out in Europe effectively leaving him stranded in the United States.

He continued his design work in New York quickly becoming a significant figure in the Eur-American avant-garde, a large community of European expatriates working alongside American designers and artists based in New York City. During this time, his expertise in the organization and creative display of information saw him redesigning industrial catalogs, corporate identities, and, in 1964, a new number structure and telephone directory for the Bell Telephone Company.

Together with Knud Longberg-Holm, he published his knowledge of visualization techniques and information design in several books, most notably: Visual Design in Action (1961). In his books, he employs a distinctively graphic (visual) approach to communicate his messages about eye movement, information display and hierarchical organization. These very techniques continue to inform and be applied to today’s virtual navigation online.

Sources and resources:
Photos from the Sutnar monograph//
Exhibition website: www.sutnar.com//
Article: Web Design Before the Internet//